Types & ShadowsIndex #1-12

Index to Types & Shadows #1-12

TITLES of articles are numbered alphabetically.

AUTHOR INDEX is keyed to numbers in title index.

ARTISTS are listed by issue and page number.

TITLE INDEX

  1. About the FQA ... How you can help,” 1:1
  2. Art and Friends’ testimonies,” Esther Mürer, 10:2
  3. Art and Quaker process,” Esther Mürer, 4:2
  4. Art and the Lamb’s War,” Esther Mürer, 2:2
  5. Art as prayer,” excerpt from Listening Spirituality, Part I by Patricia Loring, 10:5
  6. Articles on the Arts published in Friends Journal, 1991-95,” 1:6
  7. Artists’ questions, Quaker questions,” Esther Mürer, 3:2
  8. The arts in Philadelphia Yearly Meeting Faith and Practice”, Esther Mürer, 9:2-3
  9. An arts sharing group,” Jill Powers, 5:1,6
  10. The Central Philadelphia Meeting Weekend Renga,” 7:1
  11. Collaborative arts in Sandy Spring MM,” Roger Aldridge, 4:3
  12. Common traits of Quaker art,” excerpt from Quaker artists by Gary Sandman, 7:3
  13. Creating a Quaker arts camp,” Rebekah Rice, 11:5
  14. Creating a space,” Doris Pulone, 2:3
  15. Dedication,” poem by Jens Bjørneboe, translated by Esther Mürer, 11:2
  16. Do I make art? Is what I write art? Does it have a spiritual center? Is it Quaker?” Letter from Roberta Bard Ruby, 11:7
  17. Evening”, Loomis family cooperative poem, 7:2
  18. Fellowship of Quaker Artists Statement of Purpose (1994),” 1:3
  19. Fellowship of Quakers in the Arts: Text of new brochure and statement of purpose,” 6:8
  20. The fire in the snow,” poem by Winifred Rawlins, 5:2
  21. Getting our act together: FQA reorganization underway,” 6:7
  22. Great ideas aren’t enough,” fundraising tips by Regina Podhorin Zilinski, 9:1
  23. Growing pains,” Esther Mürer, 6:2
  24. Homage to Cézanne,” excerpt from Powderhouse by Jens Bjørneboe, translated by Esther Mürer. 3:6
  25. How to end war,” Skip Schiel, 2:1,6
  26. In memoriam: Winifred Rawlins,” Esther Mürer, 5:2-3
  27. In search of Quaker aesthetics,” Chuck Fager, 9:5
  28. Letter from a Grey Painter,” George Sanders, 2:5
  29. Life in St. Monica’s,” Katherine Davey, 2:4
  30. The making of a Quaker art gallery,” Chuck Fager, 11:1
  31. The making of Worship in Song,” Joan Broadfield, 4:1,6
  32. Meeting for business,” Juliana Blom Bates, 12:3
  33. Meetinghouses using arts as outreach,” Doris Pulone, 9:7
  34. New Quaker novel blends history and science fiction,” Chuck Fager interviews David Morse about The Iron Bridge, 10:1,6-7
  35. Notes of a longtime gamester,” Esther Mürer, 7:2
  36. One meeting’s inner-city art ministry,” interviews with Minnie Jane, John Grauer and Joyce Halley by Esther Mürer, 11:4
  37. Philadelphia Yearly Meeting Faith and Practice (1997): Extracts on the arts” by Janet Mustin and John Ormerod Greenwood, 9:3
  38. Poetry by committee? Try Renga!” Shelley Krause, 7:1
  39. Portraying the inherent vitality of nature,” interview with Ben Norris by Esther Mürer, 6:1,6
  40. Quaker Art and the Feminine Principle,” Esther Mürer, 12:2
  41. Queries from the Arts Sharing Group of State College MM,” 5:6, 6:2, 7:5, 9:4, 10:5, 11:3, 12:5
  42. Reflections on anger,” Esther Mürer, 8:2
  43. Revelation; after a poem by Angel Gonzalez,” by Jamie Parsley, 11:7
  44. Sandy Spring Friends hold benefit concert/arts festival,” Roger Aldridge, 8:6
  45. Sin is denying,” poem by Winifred Rawlins, 5:2-3
  46. Springsville: an appreciation of the music of Miles Davis and Gil Evans,” Roger Aldridge, 6:3
  47. To reveal the one radiance”: a letter from Ted Perry, 8:4-5
  48. ‘To the Musicioners’: An early Quaker critique of the arts,” excerpt from The Covenant Crucified by Douglas Gwyn, 3:3
  49. Too much simplicity,” George Sanders, 11:3
  50. The Tryal of William Penn and William Meade: Performances by the Friends’ Theater Group,” Andrew Mills, 1: 4-5
  51. The vacuum cleaner’s growling,” poem by Winifred Rawlins, 5:2
  52. ‘Virtual morality’: a Quaker in cyberspace,” interview with Ebon Fisher by Esther Mürer, 8:1,8
  53. We have met the enemy and they is us,” Minnie Jane and Mary DeAngelis, 3:1
  54. What is the function of art in religious education?” Dorothea Blom, 12:1
  55. What stops me? Letter to a friend,” Skip Schiel, 7:6
  56. Where your editor is at,” Esther Mürer, 11:2
  57. Why ‘Types and Shadows’?” Esther Mürer, 1:2
  58. Wigglism: to nurture that which wiggles,” Ebon Fisher, 8:8
  59. A word about The Best of Friends”, Chuck Fager, 10:8

AUTHOR INDEX

Aldridge, Roger. 11, 44, 46
Bates, Juliana Blom. 32
Bjørneboe, Jens. 15, 24
Blom, Dorothea. 54
Broadfield, Joan. 31
[Davey, Katherine]. 29
DeAngelis, Mary. 53
Fager, Chuck. 27, 30, 34, 59
Fisher, Ebon. 52, 58
Gonzalez, Angel. 43
Grauer, John. 36
Greenwood, John Ormerod. 37
Gwyn, Douglas. 48
Halley, Joyce. 36
Jane, Minnie. 36, 53
Krause, Shelley. 38
Loring, Patricia. 5
[Mills, Andrew] 50
Morse, David. 34
Mürer, Esther. 2, 3, 4, 7, 8, 23, 26, 35, 36, 39, 40, 42, 52, 56, 57
Mustin, Janet. 37
Norris, Ben. 39
Parsley, Jamie. 43
Perry, Ted. 47
Powers, Jill. 9
Pulone, Doris. 14, 33
Rawlins, Winifred 20, 45, 51
Rice, Rebekah. 13
Ruby, Roberta Bard. 16
Sanders, George. 28, 49
Sandman, Gary. 12
Schiel, Skip. 25, 55
Zilinski, Regina Podhorin. 22

ARTISTS

Chen, Jennifer, 11:4-5
Fisher, Ebon, 8:1
Ham, James A., 3:3
Hester, John, 1:1
Hinkle, Jeff, 2:3
Mürer, Esther, 4:3
Mürer, Phoebe, 1:6, 7:3, 10:3
Nicholson, Ben, 8:6
Norris, Ben, 6:1, 6:6
Sanders, George, 2:5, 5:1, 6:7, 11:3
Schiel, Skip, 2:1, 7:6
Williamson, Jason, 2:4
Wilson, Mary, 9:5
Winner, Karen, 6:8
Wolff, Jennifer Snow, 2:3


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